There’s so much information out there nowadays for learning guitar.

But most of it is a bunch of horse pucky.

That’s why in this post I want to share with you a 3 min trick that works better than 60 minutes of practicing.

I’ll be applying this trick to soloing. But, it can work for becoming a good rhythm guitarist as well. (I’ll save that for another lesson.)

Here’s the thing…

Most guitarists don’t really want to spend years training to become professional musicians. I mean who would? Wouldn’t you rather just be able to play like one without all the agony and mindless practice?

In fact, the majority of my students in my programs are older players who don’t want to join a band. They just want to be able to sit at home and play some good solos (perhaps with a backing track). They don’t have time to sort through all the nonsense online. And don’t want to stay up late at night wondering if they’re doing it...

A little while ago I learned a new word: 

“Blatherskite.”

It essentially means nonsense talk. Gibberish.

Kind of like when a guitarist cranks up their amp, launches into a solo, and just spews out a bunch of blatherskite.

Or maybe in a band, suddenly the lead singer cuts the solo short. When they realize it’s just spiraling into blatherskite with no feeling. 

There’s really only one reason for this.

You see, often players have learned their scales, they’ve maybe even tried them in different keys all across the fretboard.

But when they solo there’s still something missing. They don’t know where to go from there. Using the tools they have keeps resulting in solos lacking melody and feeling. I was stuck here too for a while until blues master Kenny Burrell showed me how to break free.

If this describes your solos, and you would like to change them to captivating solos dripping with emotion and feeling.

Go to:

...

I was listening to an interview with the great Tommy Emmanuel the other day and heard something really fascinating…

The interviewer asked him about what his practice sessions are like.

Let’s be honest, as guitarists we want to know these things. We want to peek inside the minds of these legends. Learn their hacks and get their secrets. There’s got to be some mystery or magic behind the curtain that we’re missing, right?

Many times there is. That’s why it’s super important to be careful who you listen to. But anyway, despite what many people might think Tommy would say like: 

Well, it’s 20 minutes of ear training, then it’s 15 minutes of major scales… blah blah blah

No…

What Tommy actually said was, he puts his guitar strap on, stands up, pretends there’s an audience in front of him, and just plays songs relentlessly without stopping.

His practice is like a show.

You see, there is this awesome feeling that you...

The year was 1975 and famously Aerosmith at this time was living a pretty debaucherous lifestyle…

And this led to boiling tensions in the band.

But out of their unwavering dedication to the music…

Some amazing tracks came out of this period for them.

Today’s riffs are from the classic album Toys in the Attic.

And this song all started with a grooving bassline that Tom Hamilton stumbled upon one day in the studio. 

I’m going to break it all down for you step-by-step in this “Sweet Emotion” guitar lesson!

Who wrote Sweet Emotion?

The song "Sweet Emotion" is a classic rock anthem written by Steven Tyler and Tom Hamilton, members of the American rock band Aerosmith. It was released in 1975 as part of their album Toys in the Attic. The song has an infectious groove, of course, powerful vocals from Steven, and some epic guitar riffs.

Recorded at the Record Plant in New York City, "Sweet Emotion" features Steven Tyler on vocals, Joe Perry on...

If you hate and avoid bar chords, today I want to share with you a lesson that just might change your mind…

In fact, learning this one concept can completely re-frame how you view the guitar neck.

Did you know the ENTIRE fretboard can be organized and mastered for RHYTHM and LEAD with bar chords?

Yup, the same old bar chords that many intermediate players call “boring”

Big mistake…

I dive deep into how this works in my CAGED guitar system program. But this is something you won’t learn on YouTube or anywhere online.  

But the masters know this…

Today I want to give you a glimpse into this new mindset.  

You’ve got to first start with how bar chords work

Then you can see how this powerful concept helps you crack the fretboard code.

So tune up, and let’s dive and see how bar chords are awesome.

Bar Chord Theory

The first step to mastering bar chords is understanding how they work. You want to see the theory behind...

There’s this mind-blowing video one of my students sent me of Stevie Ray Vaughan breaking a string onstage.

It’s from his concert film Live in Austin. Which I would consider required viewing for every aspiring blues guitar player.

He’s in the middle of wailing a solo on the song “Look At Little Sister”. The band is digging in. Stevie’s at the helm playing breathtaking licks. He's commanding the stage with a thunderous presence.

But then suddenly... something happens…

SNAP

You see, a tiny flashing glare from a steel string going haywire in the air. 

If you’ve ever broken a string…you know…it just SUCKS. There’s no other way to put it.

So what does Stevie do?

He switches to the other strings and keeps on shredding! Pushing and pulling on the notes to bend them and compensate for any tuning issues that often arise when you break a string.

Then his brilliant guitar tech, René Martinez, deserves a massive...

Ever wanted to be able to play screamin’ blues solos anywhere on the neck?

Well, one of the keys to becoming a blues guitar master is learning how to solo and tap into specific sounds on the guitar neck. 

Now I often use the words sounds and scales interchangeably. This is because I think of each scale as a sound. For example, the major scale has a specific sound to it. While the blues scale has a very different sound.  

If I used a painting analogy these scales are like colors I can paint with. Sometimes I want green. Sometimes I want bright blue. If I have these sounds worked out on my instrument. I can dial them up and express whatever I want. 

And so that’s what I’m going to share with you today in this lesson, where I walk through the 5 blues scales every guitarist should know. Including one at the very end that I’m sure you’ve never heard of. 

I’m going to show you the scales, talk about the theory behind them, and...

Today I want to share with you a song that started off as an underground garage rock anthem...

And then went on to become a Woodstock showstopper and change rock and roll history forever...

It’s a 3 chord masterpiece...

It's a perfect example of less is more.

So grab your guitar and let's dive into this "Wild Thing" guitar lesson.

Who wrote Wild Thing?

“Wild Thing” was written by Chip Taylor (real name James Voight, brother of actor Jon Voight), he wrote the song under the pseudonym "Chip Taylor" in 1962.

The lyrics are intentionally ambiguous and open to interpretation. Some view it as a celebration of youthful freedom and untamed energy, expressed through themes of dancing and having fun. Others interpret the lyrics as metaphorically alluding to sexual desire, with lines like "wild thing, you make my heart sing" and "I think you move me." The open-ended nature of the lyrics contributed to its widespread appeal.

The Troggs' version was recorded at Decca Studios...

A few years back I got a call for one of the most exciting recording sessions of my life

It was here in a recording studio in Hollywood, California. As I walked into the studio carrying two guitar cases (one in each hand). I set them down and a guy walked up to me and put out his hand and said, “Hey what’s up I’m Jules.”

I shook his hand and that was when I first met and recorded with Hey Jude.

Jules is one of the nicest guys I ever worked with. If you want to hear the song we recorded that night I’ll link it up below. But today I want to share with you a tune that Paul McCartney wrote for him that has moved the world.

So grab your guitar and let’s dive into this “Hey Jude” guitar lesson.

Who wrote Hey Jude?

"Hey Jude" was written by the legendary English rock band The Beatles. It’s a timeless classic that was released as a non-album single in August 1968. While officially credited to the Lennon-McCartney partnership, "Hey...

I’m sitting down to write you this while stuck in the Haneda airport in Tokyo Japan…

My flight just got delayed, and I still have a long and tiring travel day ahead…

But while in Japan…

Some cool things have happened…

Like I got to go to the world’s one and only Fender store.

They had all kinds of old-school Fender ads on the walls:

Take a look at this staircase that leads up to the custom shop floor:

Not bad eh?

Well, this brings me to today’s lesson…

I’d like to share with you a song that was inspired during a drive through a desolate desert area of southern Morocco. 

It’s one of Led Zeppelin’s most mysterious and hypnotic songs. In fact, Jimmy Page even said that he wished Led Zeppelin was known more for this song, than “Stairway To Heaven.”

The riff is in an unusual open tuning and I’m going to break it all down for you step-by-step in this “Kashmir” guitar lesson.

Who...